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"The music Adam wrote for La Filleule is every bit as good as the score for Giselle. Here is a composer with an unerring instinct for what works in the theatre...It is evident, too, that the conductor and the Queensland Symphony Orchestra relish Adam's gifts as an orchestrator...La filleule des fees is not a work that any of us are likely to be lucky enough to see danced on stage, but now we can hear it and, thanks to Andrew Mogrelia, help to right a cultural wrong. On the evidence of this recording Adolphe Adam was much more than just a one-ballet man." (International Record Review)
