Davies; Gadd; Watson; BBC National Orchestra of Wales; Lloyd-Jones
The sheer breath and variety of Sullivan’s invention in Ivanhoe is astonishing, and it is one of the most significant operatic works to have originated in Britain. It was written when Sullivan was at the height of his powers, with his typical fluency in word-setting and mastery of orchestration, and it breathes his natural empathy and humanity. Sullivan’s career was, by any standards, an extraordinary one, and this was its zenith.
This is the first professional commercial recording of Ivanhoe and features a cast, including Janice Watson, Toby Spence, Catherine Wyn-Rogers and Geraldine McGreevy. Conductor David Lloyd-Jones who has previously conducted Sullivan works makes his debut with Chandos. The work is dedicated to Richard Hickox who was instrumental in making this recording.
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Sir Arthur Sullivan: Ivanhoe
Davies; Gadd; Watson; BBC National Orchestra of Wales; Lloyd-Jones
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Album
Title
Length
Preview
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Sir Arthur Sullivan: Ivanhoe
02:44:33
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Complete Works
Title
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Preview
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Sullivan: Ivanhoe, opera
Davies; Gadd; Watson; BBC National Orchestra of Wales; Lloyd-Jones; Whiting
02:44:33
Act 1. Scene 1. Introduction -
00:00:57
Act 1. Scene 1. Each day this realm of England faints and fails -
00:02:35
Act 1. Scene 1. Good Thane,most noble Thane,I pray... -
00:02:21
Act 1. Scene 1. Welcome,Sir Knights! -
00:05:17
Act 1. Scene 1. Drink,drink ye all... -
00:03:46
Act 1. Scene 1. The Palmer! The holy Palmer! -
00:07:27
Act 1. Scene 1. Is she not fair? And she is rich withal
00:02:01
Act 1. Scene 2. O moon,art thou clad in silver mail... -
00:04:30
Act 1. Scene 2. Good Palmer,thou didst speak of one I know... -
00:06:05
Act 1. Scene 2. Like mountain lark my spirit upward springs
00:03:34
Act 1. Scene 3. Will there be no more fighting? -
00:03:52
Act 1. Scene 3. Plantangenesta! -
00:03:06
Act 1. Scene 3. Isaac,my Jew,my purse of Gold -
00:03:07
Act 1. Scene 3. ''Tis from our Royal brother,Louis of France -
00:03:30
Act 1. Scene 3. What means his motto?
00:06:32
Act 2. Scene 1. Strange lodging this for England''s King -
00:05:52
Act 2. Scene 1. There is a custom in the East -
00:02:30
Act 2. Scene 1. I ask nor wealth nor courtier''s praise -
00:03:03
Act 2. Scene 1. Not bad,say I,nor badly sung! -
00:01:12
Act 2. Scene 1. The wind blows cold across the moor -
00:03:01
Act 2. Scene 1. And now for combat! Where''s this friend of mine?
00:03:45
Act 2. Scene 2. Will not our captor dare to show his face? -
00:05:48
Act 2. Scene 2. Welcome,Sir Templar! But I may not stay -
00:01:07
Act 2. Scene 2. Her southern splendour,like the Syrian Moon
00:02:59
Act 2. Scene 3. Whet the keen axes -
00:07:26
Act 2. Scene 3. O awful depth below the castle wall! -
00:01:06
Act 2. Scene 3. Lord of our chosen race -
00:03:16
Act 2. Scene 3. Take thou these jewels; here is wealthenow... -
00:07:55
Act 2. Scene 3. What sound is that?
00:02:48
Act 3. Scene 1. Happy with winged feet -
00:05:33
Act 3. Scene 1. Tend thou the Knight thou lovest -
00:01:16
Act 3. Scene 1. Ah,would that thou and I might lead our sheep... -
00:03:51
Act 3. Scene 1. But hark! what sound is in mine ear? -
00:01:48
Act 3. Scene 1. I see them now; the dark wood moves with bows -
00:02:57
Act 3. Scene 1. How canst thou know what pain it is to lie...
00:05:38
Act 3. Scene 2. Light foot upon the dancing green -
00:04:16
Act 3. Scene 2. Maurice de Bracy,faithless knight -
00:02:27
Act 3. Scene 2. Look,where thy moody father walks apart -
00:05:29
Act 3. Scene 2. How oft beneath the far-off Syrian Skies... -
00:02:29
Act 3. Scene 2. Knight,Knight of Ivanhoe,I come for thee!
00:02:09
Act 3. Scene 3. Fremuere principes -
00:03:06
Act 3. Scene 3. Thou Jewish girl,who art condemned to die... -
00:04:03
Act 3. Scene 3. It shall not be -
00:02:33
Act 3. Scene 3. A champion! A champion! A champion! -
00:01:51
Act 3. Scene 3. A judgment! A judgment! -
00:02:30
Act 3. Scene 3. See where the banner of England floats afar...
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