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Stravinsky's style-conscious objectivity and apparent reserve appear to have been extremely handy when it came to writing religious music. It is as if the composer tried to give Apollo a religious aura in this part of his oeuvre. There is indeed a hint of the same Apollonian control with which Stravinsky wrapped his attractive mythologies, but he rephrased his religious compositions to provide uncompromising austerity.
Phillipe Herreweghe conducts three of Stravinsky's most popular religious works alongside a Bach transcription by Stravinsky.
