Carl Philipp Emanuel Bach: Magnificat

Carl Philipp Emanuel Bach: Magnificat

Mauch; Rexroth; Mammel; Schwarz; Basler Madrigalisten; L'Arpa Festante; Basel Madrigalists; Naf

"These are the first recordings of the original versions of both the Magnificat (from 1749) and the Christmas cantata, Die Himmel erzahlen die Ehre Gottes (The Heavens are Telling,  probably 1773) by Carl Philipp Emanuel Bach. Quite without spectacle or effect, these performances recommend themselves from first note to last. The singing is pointed, meticulously articulated, clean and full of pathos, poignancy, celebration and awe as needed. The instrumental forces are equally sharp and pleasing. The strings in particular of L'arpa festante sound both at home and fully relaxed. At the same time they retain all of the music's bite: listen to the attack and sustained lines in the "Quia fecit" [tr.11], for instance." (classical.net)

Carus
MP3
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FLAC
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Album
Title
Length
Preview
MP3
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Carl Philipp Emanuel Bach: Magnificat
01:02:20
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Complete Works
Title
Length
Preview
MP3
FLAC
Bach: Die Himmel erzählen die Ehre Gottes, cantata for 4 soloists, chorus, 2 flutes, 2 oboes, 3 trombones, strings & timpani, H. 821e
Schwarz; Mammel; Mauch; L''Arpa Festante; Basel Madrigalists; Naf
00:19:33
N/A
N/A
Bach: Magnificat for 4 voices, chorus, 2 flutes, 2 oboes, 3 trumpets, 2 horns, strings & continuo in D minor, H. 772, Wq. 215,
Schwarz; Mammel; Mauch; L''Arpa Festante; Basel Madrigalists; Naf
00:42:47
N/A
N/A
"These are the first recordings of the original versions of both the Magnificat (from 1749) and the Christmas cantata, Die Himmel erzahlen die Ehre Gottes (The Heavens are Telling,  probably 1773) by Carl Philipp Emanuel Bach. Quite without spectacle or effect, these performances recommend themselves from first note to last. The singing is pointed, meticulously articulated, clean and full of pathos, poignancy, celebration and awe as needed. The instrumental forces are equally sharp and pleasing. The strings in particular of L'arpa festante sound both at home and fully relaxed. At the same time they retain all of the music's bite: listen to the attack and sustained lines in the "Quia fecit" [tr.11], for instance."
classical.net

Label:
Carus

Range:
Carus

Catalogue Number:
Carus83412

Barcode:
4009350834125

Release Date:
1st Apr 2010

Recording Date:
11th Jan 2008

Recording Location:
Reformierte Kirche Arlesheim

Producer:
Andreas Werner

Engineer:


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