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"Cristina Ortiz...gives a sparkling account of the jaunty first movement of the Piano Concerto No. 2, and she also brings out the fun and wit of the finale, with fluent, finely pointed playing, not least in the delicious interpolated bars of 7/8. The central Andante, taken rather slower than usual, is both warm and refined, avoiding sentimentality in the haunting main theme, which here more than ever is like Rachmaninov slimmed down to the bare bones." (Gramophone)