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Franz Schubert

Franz Peter Schubert was among the first of the Romantics, and the composer who, more than any other, brought the art song (lied) to artistic maturity. During his short but prolific career, he produced masterpieces in nearly every genre, all characterized by rich harmonies, an expansive treatment of classical forms, and a seemingly endless gift for melody. Schubert began his earliest musical training studying with his father and brothers. Having passed an audition, Schubert enrolled at the Convict school that trained young vocalists to eventually sing at the chapel of The Imperial Court. Schubert began to explore composition and wrote a song that came to the attention of the institution's director, Antonio Salieri, who along with the school's professor of harmony, hailed young Schubert as a genius. In 1813, after Schubert's voice broke, he returned to live with his father, who directed him to follow in his footsteps and become a schoolteacher. Schubert begrudgingly complied and worked miserably in that capacity by day, while composing prolifically by night. He had written more than 100 songs as well as numerous symphonic, operatic, and chamber music scores, before he reached the age of 20.

Schubert finally left his teaching position to dedicate himself completely to musical pursuits. During the summer of 1818, the young composer worked as a private music teacher to the aristocratic Esterházy family. When he left that post in the fall, Schubert lived a somewhat bohemian lifestyle, composing and spending time with a group of friends that acted as his personal support system. In 1820, Schubert was commissioned by two opera houses, the Karthnerthor Theatre and Theatre-an-der-Wein, to compose a pair of operas. He wrote Zwillingsbruden, and Zauberharfe, both of which were unenthusiastically received. Schubert failed to secure a contract with a publisher, as none were willing to take a chance on a relatively unknown composer who wrote (harmonically) untraditional music. Schubert, along with the support of his artistic friends, published his own work for a collection of roughly 100 subscribers. These efforts, however, were financially unrewarding, and Schubert struggled to sustain himself. His work garnered little attention and contemporary composers dismissed his music as presumptuous and immature.

In 1823, Schubert was elected to the Musikverein of Graz, as an honorary member. Though this brought no financial reward and was an inconsequential appointment, Schubert relished its slight recognition, and to show his gratitude, composed his famous Unfinished Symphony. Five years later, Schubert's music was featured at a concert at Vienna's Musikverein. His work was received quite enthusiastically, and to much critical acclaim. This marked the only time during the composer's life that he enjoyed such success. This seemed to provide Schubert with a renewed sense of optimism, and despite illness, the composer continued to produce at an incredible rate. He began to organize a scheme to increase his artistic popularity, by continuing to evaluate his work and progress as a musician, perhaps even planning to study harmony privately. Schubert's health did not improve, and he soon found himself at death's door. During the composer's last moments, he instructed his brother Ferdinand to ensure that he would be buried alongside Ludwig van Beethoven's grave. Schubert revered the legendary composer, and was grateful to him, as Beethoven had praised his work after hearing a selection of songs. Schubert also highly regarded the work of both Franz Joseph Haydn and Wolfgang Amadeus Mozart. Franz Schubert died of syphilis.

Despite his short life, Schubert produced a wealth of symphonies, operas, masses, chamber music pieces, and piano sonatas, most of which are considered standard repertoire. He is known primarily for composing hundreds of songs including Gretchen am Spinnrade, and Erlkonig. He pioneered the song cycle with such works as Die Schöne Müllerin, and Die Winterreise, and greatly affected the vocal writing of both Robert Schumann and Gustav Mahler. ~ David Brensilver, All Music Guide

Nationality: Austria

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Beethoven: Symphony in Cm No5, Op67; Schubert: Symphony in Bm No8, D759

Beethoven: Symphony in Cm No5, Op67; Schubert: Symphony in Bm No8, D759

NAXOS

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Beethoven: Symphony in Ef No3, Op55; Schubert: Symphony in Bm No8, D759

Beethoven: Symphony in Ef No3, Op55; Schubert: Symphony in Bm No8, D759

NAXOS

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Mendelssohn, Schubert, Schumann and others

Mendelssohn, Schubert, Schumann and others

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Mozart, Beethoven, Schubert and others

Mozart, Beethoven, Schubert and others

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Rimsky-Korsakov, Bizet, Mozart and others

Rimsky-Korsakov, Bizet, Mozart and others

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Schubert, Saint-Saens, Schumann and others

Schubert, Saint-Saens, Schumann and others

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Schubert: Des Baches Wiegenlied; Ungeduld D795/7

Schubert: Des Baches Wiegenlied; Ungeduld D795/7

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Schubert: Fantasia in C D760, Op15; Piano Sonata in A No13, D664, Op120

Schubert: Fantasia in C D760, Op15; Piano Sonata in A No13, D664, Op120

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Schubert: Fantasia in C D934, Op159; Sonatina in Am D385, Op137/2

Schubert: Fantasia in C D934, Op159; Sonatina in Am D385, Op137/2

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Schubert: Heidenröslein D257, Op3/3; Ganymed D544, Op19/3

Schubert: Heidenröslein D257, Op3/3; Ganymed D544, Op19/3

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Schubert: Marches Militaires D733, Op51; Polonaises D599, Op75

Schubert: Marches Militaires D733, Op51; Polonaises D599, Op75

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Schubert: Nachtviolen D752; Lied eines Schiffers an die Dioskuren in Af D360, O

Schubert: Nachtviolen D752; Lied eines Schiffers an die Dioskuren in Af D360, O

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Schubert: Piano Sonata in Bf No21, D960; Piano Sonata in Cm No19, D958

Schubert: Piano Sonata in Bf No21, D960; Piano Sonata in Cm No19, D958

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Schubert: Piano Sonata in G No18, D894, Op78; Piano Sonata in Am No14, D784, Op143

Schubert: Piano Sonata in G No18, D894, Op78; Piano Sonata in Am No14, D784, Op143

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Schubert: Piano Trio in Bf D898, Op99; Piano Trio in Bf D28

Schubert: Piano Trio in Bf D898, Op99; Piano Trio in Bf D28

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Schubert: Piano Trio in Ef D929, Op100; Piano Trio in Ef D897, Op148

Schubert: Piano Trio in Ef D929, Op100; Piano Trio in Ef D897, Op148

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Schubert: Quintet in A D667, Op114; Adagio & Rondo Concertante in F D487

Schubert: Quintet in A D667, Op114; Adagio & Rondo Concertante in F D487

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Schubert: Schwanengesang D318; Auf dem Strom D943

Schubert: Schwanengesang D318; Auf dem Strom D943

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Schubert: Sonata in A D574, Op162; Fantasia in C D934, Op159

Schubert: Sonata in A D574, Op162; Fantasia in C D934, Op159

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Schubert: Sonata in Am D821; Schumann: Phantasiestücke Op73

Schubert: Sonata in Am D821; Schumann: Phantasiestücke Op73

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Schubert: String Quartet in Gm No9, D173; String Quartet in Bf No3, D36

Schubert: String Quartet in Gm No9, D173; String Quartet in Bf No3, D36

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Schubert: Symphony in Bm No8, D759; Symphony in Bf No5, D485

Schubert: Symphony in Bm No8, D759; Symphony in Bf No5, D485

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Schubert: Symphony in Cm No4, D417; Symphony in C No6, D589

Schubert: Symphony in Cm No4, D417; Symphony in C No6, D589

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Schubert: Symphony in D No3, D200; Symphony in C No6, D589

Schubert: Symphony in D No3, D200; Symphony in C No6, D589

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Schubert: Winterreise D911, Op89

Schubert: Winterreise D911, Op89

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Mozart: Symphony No40; Schubert: Symphony in Bm No8, D759

Mozart: Symphony No40; Schubert: Symphony in Bm No8, D759

Chandos

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Schubert: Symphony in Bm No8, D759; Symphony in Bf No5, D485

Schubert: Symphony in Bm No8, D759; Symphony in Bf No5, D485

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Schubert: Symphony in C No9, D944; Symphony in Bm No8, D759

Schubert: Symphony in C No9, D944; Symphony in Bm No8, D759

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Mozart, Elgar, Schubert and others

Mozart, Elgar, Schubert and others

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Saint-Saens, Massenet, Kreisler and others

Saint-Saens, Massenet, Kreisler and others

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